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Black rock music
Related: black music - race music (its first name) - rhythm and blues (its second name) - rock music
Cosmic Slop (1973) - Funkadelic [Amazon.com]
Blacks have composed, played, and performed rock music since its emergence in the 1950s, but the term “black rock” came to be recognized around 1985. At that time, guitarist Vernon Reid and music journalist Greg Tate joined with a small group of black musicians and music industry professionals in New York City to found the Black Rock Coalition (BRC). Reid was a young but accomplished musician whose work with avant-garde jazz artists such as Ronald Shannon Jackson had drawn critical attention. More significantly, he had recently formed the ground-breaking rock band, Living Colour, an all-black heavy rock band that would eventually score a string of minor hits on rock radio. BRC co-founder Greg Tate was beginning to establish himself as a journalist through his writing on black music in the Village Voice and to build a reputation as one of the major theoretical voices of the burgeoning hip-hop movement. Reid and Tate rightly recognized that the structure of the American popular music industry limited the growth of many black artists’ musical intentions, since throughout the era of rock ’n’ roll, the American music industry engaged in a kind of commercial segregation, placing black performers in tightly regulated categories designed to appeal to perceived demographics of the music audience, and it was rare to find a black musician given official sanction to perform the same with white rock. --source unidentified
Alan FreedOne of the most important popularizers of rock and roll during the '50s, Alan Freed was the first disc jockey and concert producer of rock and roll. Often credited with coining the term rock and roll in 1951, ostensibly to avoid the stigma attached to R&B and so called race music, Freed opened the door to white acceptance of black music, eschewing white cover versions in favor of the R&B originals.
1947: The term "Rhythm and Blues" was coined in 1947 by Jerry Wexler as a replacement for the terms "race music" "sepia music" and "Harlem Hits Parade" during a reorganization of the Billboard charts
Race records were born when recording companies realized there was money to be made marketing music by black artists to black consumers.
By 1920, even though the industry was already 20 years old, only a handful of black artists had ever been captured on cylinder or disk. --
FunkadelicFunkadelic were bad motherfuckers. They shared management and stages with the other "bad boys of Detroit" -- Ted Nugent & the Amboy Dukes, MC5, and The Stooges. Their management even cooked up a marriage between George and Iggy Pop as a publicity stunt. Iggy was probably relieved that it was never followed through. "He could have been my wife," tittered Clinton. Clinton would certainly have incorporated Iggy into his entourage like a cyber-funkified bodysnatcher.
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