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Dalida (1933 - 1987)
Dalida (January 17, 1933 - May 3, 1987) was an Egyptian-born singer, of Italian origin, making her career in France.
Born Yolande Christina Gigliotti of Italian parents in Shoubra, a district of Cairo, Egypt, she was the child of an opera violinist and was given singing lessons at an early age. She developed into a beautiful young lady, and in 1954 she won the Miss Egypt beauty contest and immediately left for Paris, France, to pursue a career in motion pictures.
Despite her looks, her first films were less than successful, but she began performing in music halls and cabarets, singing in French, Italian and other languages. Using the stage name, "Dalida", she recorded songs, her second single titled "Bambino" brought instant fame. In 1957, she appeared at the Paris Olympia as the opening act for Charles Aznavour and later the same year for Gilbert Bécaud. She would go on to record in several languages, touring the globe including sold-out performances, in late-1978, at Carnegie Hall in New York City.
During her career, Dalida recorded 500 French songs, 200 of which were translated into Italian, and 200 into other languages. She sold more than 80 million records world-wide, winning numerous awards, scoring 55 gold records. Yet, despite her fame and fortune, her personal life was difficult and filled with much drama and tragedy. In 1961 she married her mentor Lucien Morisse, but the marriage lasted only a few months when she left him for the painter Jean Sobieski (later the father of American actress Leelee Sobieski). A few years later, her still distraught ex-husband died of a self-inflicted gunshot wound.
In 1967 her new lover, the Italian singer, Luigi Tenco also took his own life and Dalida too attempted suicide. She was living with the flamboyant and less than reputable, Richard Chanfray (referred to as the Comte de St Germain) when he took his own life in July 1983. She recovered from these tragedies and continued to perform but by her own accounts, life had little meaning and she spent years searching for personal fulfillment, including traveling to Nepal to study the Hindu religion.
On May 3, 1987 she died as a result of an overdose of sleeping pills leaving behind a suicide note that said: "Life has become unbearable ... forgive me."
Dalida is buried in the Cimetière de Montmartre, Paris, her gilded life-size statue one of the most outstanding of the many sculpted works in the famous cemetery.
In 1997, the angle of the rues Girardon and Abreuvoir in the Butte Montmartre in Paris was inaugurated as "Place Dalida" and is where a life-size bust was erected to her memory. In 2001, the French government honored her memory with her image on a postage stamp. --http://en.wikipedia.org/wiki/Dalida [May 2005]
- 40 Success En Or - Dalida [CD, Amazon US] [FR] [DE] [UK]
Been playing the following tunes in constant rotation:
9. Il Venait d'Avoir Dix-Huit Ans 18. Paroles Paroles (En Duo Avec Alain Delon) 20. Gigi l'Amoroso
Dalida is the princess of gawd, the queen of kitsch, and the empress of camp! I just love her! She is one of the best representatives of the French pop-music tradition in the 50s, 60s and 70s. Her first songs are romantic, albeit corny, melodies with a nice mediterranean or big band background. You can just imagine her on a black and white TV screen, with too much make-up on, acting out the words of her song, with a look of amourous longing on her face. Then the sixties, when almost all her songs are translations of English hits from the same period. But for me, it is the hits of the 70s which really get me singing and dancing. I remember listening to them on the radio when I was a kid, and they bring back so many memories. The beat is fun, a bit disco-ish, and the words to the songs are sometimes as funny as they are sad. Looking back now, and knowing that Dalida eventually committed suicide because she felt under-loved and under-appreciated, the words from some songs seems to take on a different meaning. Although not all her songs are as magnificiant as Bambino, Parole Parole, or Gigi L'amoroso, the collection is quite a pleasure to listen to, especially if you can understand the texts. I would recommend this to any fan of French-pop music. --dzintars for amazon.com
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