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Eclecticism in art
Eclecticism is a kind of mixed style in the fine arts, in which features are borrowed from various sources and styles. Significantly, Eclecticism hardly ever constituted a specific style in art: it is characterized by the fact that it was not a particular style. In general, the term describes the combination in a single work of a variety of influences - mainly of elements from different historical styles in architecture, painting, and the graphic and decorative arts.
The term eclectic was first used by Johann Joachim Winckelmann to characterize the art of the Carracci, who incorporated in their paintings elements from the Renaissance and classical traditions. Indeed, Agostino, Annibale and Lodovico Carracci had tried to combine in their art Michelangelo's line, Titian's color, Correggio's chiaroscuro, and Raphael's symmetry and grace.
In the 18th century, Sir Joshua Reynolds, head of the Royal Academy of Arts in London, was one of the most influential advocates of eclecticism. In the sixth of his famous academical Discourses (1774), he wrote that the painter may use the work of the ancients as a "magazine of common property, always open to the public, whence every man has a right to take what materials he pleases." In nineteenth-century England, John Ruskin also pleaded for eclecticism.
Eclecticism was an important concept in Western architecture during the mid- and late 19th century, and it reappeared in a new guise in the latter part of the 20th century. --http://www.wikipedia.org/wiki/Eclecticism_in_art
Eclecticism is the method of a group of ancient philosophers who tried to select from the existing philosophical beliefs those doctrines that seemed most reasonable to them. Out of this collected material they constructed their new system of philosophy.
Well known Eclectics in Greek philosophy were the Stoics, Panaetius and Posidonius, and the New Academics, Carnaedes and Philo of Larissa. Among the Romans, Cicero was thoroughly eclectic, as he united the Peripatetic, Stoic, and New Academic doctrines. Further eclectics were Varro and Seneca. --http://www.wikipedia.org/wiki/Eclecticism_in_art
Eclecticism in 1990s music
When future generations look back upon the nineties, it seems most likely that they will recognize the '90s as a time of fusion. Much like the '70s, most of what has pushed the musical envelope in this decade have been the sounds of combined elements; jazz, disco, house, funk, reggae, soul, you know your black music. Much of what today is hailed as electronica in the US and garage in the UK, falls in line with this very '90s mode of creating music. In lack of a name for this genre, I refer to it as nineties eclecticism.
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