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Gertrude Stein (1874 - 1946)
Related: Paris - the lost generation - Sylvia Beach - American literature
Gertrude Stein (February 3, 1874 - July 29, 1946) was an American writer, poet, feminist, playwright, and catalyst in the development of modern art and literature, who spent most of her life in France.
Born in Allegheny, Pennsylvania (now the North Side of Pittsburgh), her family moved to Vienna and then Paris when she was three. After returning almost two years later, she was educated in California, graduating from Radcliffe College in 1897 followed by two years at Johns Hopkins Medical School.
In 1902 she moved to France during the height of artistic creativity gathering in Montparnasse. From 1903 to 1912 she lived in Paris with her brother Leo, who became an accomplished art critic. Gertrude Stein was a lesbian. She met her life-long companion Alice B. Toklas in 1907; Alice moved in with Leo and Gertrude in 1909. During her whole life, Gertrude Stein was supported by a stipend from her family's business. --http://en.wikipedia.org/wiki/Gertrude_Stein, Feb 2004
What Are Masterpieces and Why Are There So Few of Them (1936) - Gertrude Stein
See also: http://en.wikiquote.org/wiki/Gertrude_Stein#What_Are_Masterpieces_and_Why_Are_There_So_Few_of_Them_.281936.29
See also: master - Gertrude Stein
I Love You, Alice B. Toklas (1968) - Hy Averback
I Love You, Alice B. Toklas (1968) - Hy Averback [Amazon US]
Poor Harold Fine (Peter Sellers)... he's a suit-and-tie-wearing Jewish professional who's being pressed by his fiancée (Joyce Van Patten, in a supremely whiny and irritating performance) to nail down a wedding date. Harold's bored and dissatisfied with his life, though; when he meets Nancy (Leigh Taylor-Young), a hippie-chick friend of his brother's, he decides to tune in, turn on, and drop out, in a big way. He flees the altar, leaving Joyce standing alone, and pursues the counterculture life. Soon, though, Harold discovers that the hippie life isn't all it's cracked up to be, with its hipper-than-thou hypocrisy adding up to little more than a different brand of conformity. Screenwriter Paul Mazursky skewers the shallowness of the '60s with dead-on humor and some hilarious set pieces; the scene where Harold and his straitlaced parents eat some of Nancy's "funny" brownies is especially memorable. Sellers's comic timing and physical awkwardness, paired with Mazursky's dialogue, makes this one of the better '60s-time-capsule flicks. --Jerry Renshaw
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