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About the Author
Isabel Cristina Pinedo is Assistant Professor of Media and Cultural Studies in the Department of Communications at Hunter College of the City University of New York.
Freudian psychoanalytical model[...]The deeper problem resides in the built-in patriarchy of depending on a Freudian psychoanalytical model, where an active or powerful woman is nothing but a 'masculinized' woman (or a closet lesbian). Isabel Cristina Pinedo acknowledges this problem and writes, "If a woman can not be aggressive and still be a woman, then female agency is a pipe dream. But if the surviving female can be aggressive and be really a woman, then she subverts this binary notion of gender that buttresses male dominance."  This is exactly what occurs in the Italian sex-horror film Femina Ridens (Frightened Woman, 1969), by director Piero Schivazappa, who plays his cards up front by displaying a huge vagina dentata in his set design (more than a decade before all these feminist accounts), and has a twisted, millionaire playboy character literally walk out of it! [...]
- Recreational Terror: Women and the Pleasures of Horror Film Viewing (Suny Series, Interruptions - Border Testimony(Ies) and Critical Discourse/s) - Isabel Cristina Pinedo [Amazon US]
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.
Through interpretations of a number of horror films including The Thing, The Wizard of Gore, The Stepfather, and Henry: Portrait of a Serial Killer, Pinedo looks at how the postmodern elements of the contemporary horror film produce the conditions for recreational terror.
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