[jahsonic.com] - [Next >>]

Giuseppe Tornatore (1956 - )

Related: director - Italian cinema


Giuseppe Tornatore (born 27 May 1956 in Bagheria, Sicily) is an Italian film director. --http://en.wikipedia.org/wiki/Giuseppe_Tornatore [Dec 2005]

Cinema Paradiso (1989) - Giuseppe Tornatore

Cinema Paradiso (1989) - Giuseppe Tornatore [FR] [DE] [UK]

[...] the priest has the power to censor films before they are viewed by his flock. This was not a complete exaggeration, the Cento Cattolico Cinematografo established in 1936 to censor films continued to classify films, according to the church's lights. --http://www.netcomuk.co.uk/~media/CinePara.html [Dec 2004]

Six, five, four, the numbers wind down. And there, on the reel, are all the expurgated scenes from the movies of his childhood: All the censored kisses. All the censored passion. All the censored life. --http://www.pbs.org/newshour/essays/jan-june02/censor_1-30.html [Dec 2004]

Nuovo Cinema Paradiso (1989) is an Italian film written and directed by Giuseppe Tornatore. It was internationally released as Cinema Paradiso in France, the United Kingdom and the U.S..

It was originally released in Italy at 155 minutes. Due to poor box office performance in its native country, it was shortened to 123 minutes for international release. It was an instant success. This international version won the Special Jury Prize at the 1989 Cannes Film Festival and the 1989 Best Foreign Language Film Oscar. In 2002, the director's cut 173-minute version was released (known in the U.S. as Cinema Paradiso: The New Version).

It stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano, and Salvatore Cascio. It was produced by Franco Cristaldi and Giovanna Romagnoli, and the music was by Ennio Morricone.

Told in flashback, it tells the story of the return to his native Sicilian village of a successful film director "Salvatore" for the funeral of his old friend "Alfredo", who was the projectionist at the local "Cinema Paradiso".

The film intertwines sentimentality with comedy, and nostalgia with pragmaticism. It explores issues of youth, coming of age, and reflections (in adulthood) about the past. The imagery in each scene can be said to reflect Salvatore's idealised memories about his childhood. Cinema Paradiso is also a celebration of films; as a projectionist, young Toto develops the passion for films that shapes his life path in adulthood. --http://en.wikipedia.org/wiki/Cinema_Paradiso [Dec 2005]

See also: metafilm

Malena (2000) - Giuseppe Tornatore

Malena (2000) - Giuseppe Tornatore [Amazon.com] [FR] [DE] [UK]

When 12-year-old Renato, riding through his small Italian town on his new bicycle, sees the voluptuous Malèna, little does he know he's launching on an infatuation that will carry him through the tumultuous days of World War II. Malèna begins as an enraptured depiction of Renato's adolescent mind--the way he stares, hypnotized, at Malèna's garters pressing through the material of her tight skirt, or his frustrated rebellion against the indignity of wearing short pants--but soon transforms into a portrait of small-town prejudice. Malèna's looks spark lust and envy in the townspeople; when her husband dies in combat, the gossip only intensifies, to the point that Malèna is dragged into court to defend herself against accusations of adultery. When the women of the town refuse to sell her edible food at the market, Malèna has little choice but to become what she's been unjustly accused of being. At the end, a twist of fate turns this tale of longing and jealousy into a heartbreaking love story. Monica Bellucci exudes the can't-help-it eroticism that makes Malèna such a lightning rod for everyone's desires; she's like a more zaftig Isabelle Adjani. The movie seems to wander at times, but the ending has a powerful emotional impact. From the director of Cinema Paradiso. --Bret Fetzer for Amazon.com

your Amazon recommendations - Jahsonic - early adopter products

Managed Hosting by NG Communications